backdrop_path

    2004-01-09

    1946-11-2679 years, 11 months, and 12 days old

    1

    Place of birth:

    Joaçaba, Santa Catarina, Brazil

    Adult:

    No

    Gender:

    Male

    Biography

    Rogério Sganzerla (1946 — 2004) was a Brazilian filmmaker and one of the main names of the Cinema de Invenção (or Cinema Marginal) underground movement. Influenced by Orson Welles, Jean-Luc Godard, and José Mojica Marins, Sganzerla often used clichés from film noir and pornochanchadas. Irony, narrative subversion and collage were trademarks of his film aesthetics. Sganzerla was born in Joaçaba, in the state of Santa Catarina, but moved with his family to São Paulo at a very young age, living there for most of his life. During the 1960s he wrote for the newspaper "O Estado de S. Paulo" ("The State of S. Paulo") as film critic, quickly being recognised as a young talent. In 1967, Sganzerla directed his first short film, "Documentário" ("Documentary"), winning an award at the JB-Mesbla 16mm Festival. "Documentário" was quickly followed up by his first feature-length film in 1968, "O Bandido da Luz Vermelha" ("The Red Light Bandit"), which became a landmark for the movement known as Cinema de Invenção or Cinema Marginal and is still Sganzerla's most well-known film. In 1970, he founded the "Bel-Air Filmes" production company along with fellow Cinema de Invenção filmmaker Júlio Bressane. Headed by Sganzerla, the company produced his films "Copacabana Mon Amour", "Carnaval na Lama" and "Sem Essa, Aranha" and Bressane's "A Família do Barulho", "Barão Olavo, o Horrível" and "Cuidado, Madame", all shot in Brazil during four months of 1970 and edited abroad, in England, when both Sganzerla and Bressane were banished from their home country by the then rulling military dictatorship. While in exile, both Sganzerla and Bressane continued to shoot new films. Sganzerla's personal obsessions, such as director Orson Welles (and his infamous visit to Brazil) and musicians Noel Rosa and Jimi Hendrix, appear in many of his films, going as far as being the main subject in some of them. In 1985, Sganzerla directed the docufiction "Nem Tudo É Verdade" ("It's Not All True") about Orson Welles' arrival in Brazil to film his unfinished documentary "It's All True". Sganzerla died in 2004, of a brain tumor, shortly after finishing his last film "O Signo do Caos" ("The Sign of Chaos"). Description above from the Wikipedia article Rogério Sganzerla licensed under CC-BY-SA, full list of contributors on Wikipedia.

    Images Gallery

    Best Credits: 25

    Title
    The Good Cinema
    Self
    0
    2021-03-18
    0.3118
    Glauber Rocha - The Movie, Brazil's Labyrinth
    Self
    6.3
    2003-09-17
    0.7755
    Noel por Noel
    8
    1981-01-01
    0.5904
    A Mulher da Luz Própria
    Self (archive footage)
    8
    2019-06-06
    0.4261
    Candango: Memoirs from a Festival
    Self (archive footage)
    5
    2020-10-22
    0.7039
    Horror Palace Hotel
    Himself
    6
    1978-07-01
    0.3318
    Rogério Sganzerla e Sylvio Renoldi sobre "O Bandido da Luz Vermelha"
    0
    2006-03-19
    0.2433
    The Long Voyage of the Yellow Bus
    9
    2023-01-30
    0.7437
    Mr. Sganzerla: Os Signos da Luz
    3.5
    2012-05-24
    0.456
    A Miss e o Dinossauro
    Himself (archive footage) / (Voz em Off)
    5
    2005-05-10
    0.4913
    0 of 25 row(s) selected.