

1959-08-1567 years, 2 months, and 24 days old
Shizuoka, Shizuoka Prefecture, Japan
No
Male
Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.


| Title | ||||||
|---|---|---|---|---|---|---|
I Stand Alone - SEX & LOVE | 2 | 1996-11-08 | 0.517 | |||
Cross the Lens | Self | 0 | 2006-07-01 | 0.4507 | ||
Japanscope, panorama de la nouvelle Nouvelle Vague | 0 | 2015-06-16 | 0.5081 | |||
In The Sea of Trees | 0 | Not released | 0.3182 | |||
Tokyo Elegy | Detective | 3.6 | 1999-08-14 | 0.6698 | ||
Autumn | 0 | 2016-10-29 | 0.7781 | |||
Groper Train: Final Stop | Man groping school girl | 2 | 1986-01-01 | 0.521 | ||
Crying Rope, Missing Black Hair | 2 | 1983-06-25 | 0.3528 | |||
Hometown Porn Girl 18! Seeding Festival | 2 | 1984-07-28 | 0.521 | |||
Young Wife Assault Pervert | 2 | 1982-11-01 | 0.5422 |